Let me introduce you to Mr. Christopher Modoo, Creative and
Buying Manager at Chester Barrie, who's work in transforming the brand's
tailoring (and casualwear collections) in recent years, has led to Chester
Barrie's fast becoming one of the most desirable names in luxury British
tailoring. Chris was kind enough to invite me to his Savile Row office, which
adjoins the company's flagship store at No. 19, so that we could chat about his
style, his influences, and what it is that drives him to create such impeccable
British clothing.
Despite a passion for tailored clothing from a very young age, Chris's route into
fine tailoring was an unusual one: 'It was never a career option, no one picked
it for me - the first few years of my working life were spent as an unhappy,
overdressed bank clerk'. Clearly, something had to be done. After only a few
months in the bank, he accepted a job in Selfridges' accounts department solely
for the 40% clothing discount. A few months in, he realised that 'I could get
the same basic salary and clothing discount, plus commission on the sales
floor'. Chris went straight into the men's shirting department and a year later
at the age of 21, he was asked to take on the role of Thomas Pink's Selfridges
Concession Manager..
After some years working as a manager with Thomas Pink,
Chris moved to Ede & Ravenscroft, taking on the task of developing the
brand's then brand new 'Personal Tailoring' service, no small feat as it turned
out. In addition to adding this string to his bow, working in such a formal
house has given Chris an expert eye and understanding of British formalwear. 'I've
always been passionate about formalwear, I loved learning about its etiquette,
conventions and history. I have respect for French tailors, Italian
tailors, American tailors - they all have their own strengths, but the British just do formalwear so well'.
Clearly, Modoo knows what he's talking about: 'I got to
style formalwear for the Royal Household, I used to go to Windsor every year,
I've dressed most of the Orders of Chivalry in morning dress, I've provided
clothing for academic awards and OBE ceremonies at Buckingham Palace. When you
see formalwear worn in that environment, you see how its done at its best, worn
in a comfortable way - you see how it really works'.
Having moved on from his successes
at Ede & Ravenscroft, over the last few years at Chester Barrie, Chris has
worked in buying and designing the company's handsome off-the-peg collections,
a role in the company which has been highly informed by his extensive, personal
experience with bespoke tailoring. Shortly after taking his job at Selfridges,
Chris started to have things made, and very quickly gained a comprehensive
technical understanding of the art of tailoring, and an eye not only for what
worked well and what didn't, but what worked well with style. 'I tried
everything; over-accessorising, too much use of colour, huge peaked lapels,
high gorges, low gorges, double-breasted waistcoats, turn-back cuffs on
everything, trouser waists too high, trouser waists too low, trousers without
pockets... don't try that!'
With this in mind, as we talk
through the cut and shape of a Chester Barrie jacket, Chris waxes lyrical about
his own personal philosophy of designing a tailored garment. 'Its all about
balance. All the garments we design have to balance perfectly; I look at a
jacket block and I know that if I want big peaked lapels on it, then the
shoulders need to be strong to carry them, and the pocket jets need to be in
proportion.'
Modoo with a line of exquisitely styled Chester Barrie models at the company's A/W 14 London Collections: Men presentation back in January.
Indeed, between Chris and his co-designer, the venerable
Edward Sexton (who acts as Tailoring Consultant for the brand) everything is
meticulously crafted, measured and tested. Lapel gorges, pocket shapes, the
fullness of the chest, the strength of the shoulder, the suppression of the waist
and the rise and drape of the trouser. This is a philosophy of precision which
informs everything Modoo designs. 'Its all about mixing colours and textures,
shirts and ties also need to balance against suits - not just in terms of shape
- but also stylistically. Just mixing it up a little bit using pops of colour
to add some creativity - always in good taste.'
Talking of good taste, we get onto Chris's own personal
style influences. 'My father was a huge influence on my dress - he was a Mod.
The Mods were truly fastidious. Every element in their dress was considered, it
wasn't just about throwing on an expensive suit. He always cared about his
clothes. He taught me to look after my own clothing and value personal pride in
appearance. He was so fussy he used to wear starched collars'. In keeping with
his young love for tailoring, Chris also thoroughly enjoyed dressing formally
for sixth form: 'Sixth Form was also an important time for me - we had to wear
suits - and the most exciting part of the day was deciding what to wear'.
The conversation turns to Savile Row itself and Modoo is
filled with nothing but optimism, 'I'm a huge fan of Savile Row and its a good
time to be on the Row right now. Savile Row has become a part of London fashion - the
decision for Savile Row to exhibit at 'London Collections: Men' was brave, but
an excellent move'. He does however, have a word or two to say about the
broader London
tailoring scene. 'Savile Row is the pinnacle of English tailoring, and so it
should be, but I'd like to see a London
tailoring scene that isn't marginalised by Savile Row. There are so many good
city tailors, and presenting a united front to the customer would help make the
tailoring market seem less niche'.
Having sat in conversation with him for over an hour,
evidently Chris understands his business, and understands the need for Savile
Row to continually develop and evolve. Likewise, dressed in his impeccable
royal blue suit, with a crisp white tab-collar shirt, perfectly standing slim checked
silk tie, and subtly contrasting paisley pocket-handkerchief, Modoo truly
understands fine tailoring and understands British style.
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